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This genre includes magical and supernatural aspects that don’t exist in reality. While some authors combine fantasy aspects with real-world settings, others invent wholly new worlds with their own laws, logical systems, and populations of fanciful races and animals.
This branch of fantasy tells tales situated in the present day. It frequently has magic, but the magic is hidden or possibly can be explained logically. The “actual world” and the fanciful world with magic or individuals with paranormal powers frequently overlap.
With additional elements of horror, intrigue, and/or an overarching sense of dread or doom, this is fantasy’s darker side. Dark and somber supernatural happenings are a recurrent theme in this subgenre. The main distinction here is the presence of horror themes
This genre presents a fictitious story set within a true historical era, frequently including real historical events reworked to add some element of imagination. Historical fiction sets out to fill the gaps in history by creatively introducing fictional plot points.
The goal of the horror literary subgenre is to frighten, shock, stun, and horrify the readers. A horror book’s main goal is to make the reader feel dread by using terrifying themes and circumstances as well as frightening plot settings to create a sense of terror
In the opinion of the Romance Writers of America, a novel must have as its subject the growth of a romantic connection between two individuals. The emotional underpinning of the story and a positive conclusion are the other requirements for a book in this genre.
The discovery of sexuality and the challenges of youthful love, such as pressure from family or socioeconomic struggles, academic goals, or rivalry, are recurring themes in the young adult genre. The main characters are young individuals trying to get through life.
This is a subgenre of romance written about the early 19th century or is set in the British Regency era. They include a distinct storyline and aesthetic norms, such as a lot of quick-witted banter, carriage rides, morning visits, dinner parties, operas, balls, etc.!
Dark, captivating, and suspenseful plots drive thrillers. However, rarely thrillers have comic aspects to them too. Because it is a fundamental objective of the thriller genre, authors have to ensure to write such that they maintain a reader’s attention throughout.